So you folks have been waiting with bated breath… shuffle through that iPod and give me your hearty opinion! I need something new!
Well… without further ado, here is the first installment of the iPod Shuffle.
“Heart of Gold” – The Kinks, State of Confusion
A fine little ditty penned by Ray Davies about growing up with some country-esque fills from brother Dave, smooth acoustic strumming from Ray, and a nice rockin’ shuffle from the rhythm section. Even though he’s writing this about a jealous older sister sibling when a newborn sister is introduced, you can almost imagine he is writing this about himself and brother Dave- “Underneath the rude exterior, there’s got to be a heart of gold”. Great harmonizing between Ray and Dave on that chorus as well.
“Wrong Man (Live)” – Deep Purple, Rapture Of The Deep Tour Edition
From the reissue of Rapture is one of the better cuts from this disc and a great latter period Purple track. Sure, this ain’t your father’s Deep Purple but the Morse era has some great rock tunes. With Paice, Glover, and Airey laying down a solid bedrock of rhythm, Morse drops some chunky, strutting riff and a great solo on top of it, and Ian Gillan delivers a passionate vocal throughout the verse and come chorus time, throwing in the Gillan shriek before the lead break. Live cut very similar to the studio cut with a little bit more Gillan flair.
“No Reply At All” – Genesis, Abacab
I grew up with Collins-led Genesis, so I have a bit of an affinity for this era of the band. I know, I know, some of you think Phil ruined Genesis- I wholeheartedly disagree, although there is a big difference between the Gabriel era (which I like as well) and the more commercial appeal from Banks, Collins, and Rutherford. This is a great Collins era track and cuts close to what he would do in his solo career- strong vocal, horn charts (a rarity for Genesis at the time), and a strong rhythmic track underneath. A bit different from what was on rock radio and a bit progressive for it’s time, although it leans very close to something like Earth, Wind, and Fire (of which lead singer Philip Bailey would collaborate with Phil Collins on 1984 hit “Easy Lover”)
“Across The River” – Peter Gabriel, Secret World Live
Oh, the irony of the iPod shuffle LOL… if you like atmospheric music, Peter Gabriel always delivers. “Across the River” opens with a very stark and ominous mood, heavy with light, atmospheric keys from Gabriel until accompanied with an absolutely haunting violin piece from Shankar. Once entranced, Gabriel and Shankar trade vocalizations (a bit of the famous Gabriel falsetto) until Tony Levin offsets the mood with some serious bottom end on the stand up bass. After a few minutes of being entranced, other instruments are introduced with some heavy piano chords, guitar, and kick drum to kick the song into a more uplifting gear. If you like music with light and shade, this does the trick.
“Stay Young” – Oasis, The Masterplan
A very good B side from the brothers Gallagher, “Stay Young” (like many Oasis tracks) wears its influences on its sleeve but the outcome is typical Oasis. A strong Slade-like hook with a more melodic vocal from Liam than his typical snotty delivery (which I love, by the way) and a catchy sing a long chorus with Noel in the background, this is a cut that’s strong enough to be on any of their albums. Hey, stay young and invicible! We know just what we are! One of those songs that goes well in a live environment.
“Walk Out” – Matthew Sweet, 100% Fun
One of my favorite Matthew Sweet songs is driven by a simple, straightforward (but rocking) rhythm pattern but the key to the cut is the underlying harpsichord throughout the song and the baritone guitar line through the chorus. As with many early Sweet cuts, the guitar work is excellent and is generally a stark contrast to the vocal but this time it’s fairly concise with a fairly short but sweet lead break. Nice little melodic line from the harpsichord rounds out the song.
“Little Too Late” – Pat Benatar, Ultimate Collection Disc 1
First off, this is a great collection of Pat cuts but the mastering of EVERY SONG is waaaay too hot. Find the original on Get Nervous. As far as the song is concerned, it’s one of Pat’s more melodic cuts that leans a little too heavy on a circus keyboard line but is redeemed by a strong Pat vocal (and hook) and the always tasty guitar work of hubby Neil Giraldo. Has a bit of that boomy snare drum come chorus time but it’s used to good effect (oh yeah, cool drum intro to this one too). One of those choruses that ends up as an earworm after the song ends, but nothing wrong with that!
“Another Day” – Lethal, Programmed
Queensryche! No, wait a minute… yes, vocally it sounds like old school Queensryche circa Rage For Order/The Warning but that’s part of the charm of this. Even leans Fates Warning, but there’s nothing wrong with that either. Song kicks off with a dark, acoustic melody and dramatic singing before the power chords kick in around chorus with strong vocal. Some sweet dual lead playing kicks in towards the end of the song, which changes back to the chorus and closes things out. Nice mix of light and shade. If you like old school Queensryche this is up your alley.
Aaaaaand that’s it for this installment! We’ll shoot for another shot at this within the coming weeks. Fave cut of the week goes to “Walk Out” from Matthew Sweet.
“Happy trails to you, until we meet again”
